- louise glück
ARAR
Literary theory
Ada Limón
Somehow the word
allow is in the word
swallow and in swallow
two wholly different meanings:
one to take in through
the mouth and another
what we call the common
winged gnat hunter who
is, in all probability,
somewhere near us now.
Once, I thought
if I knew all the words
I would say the right thing
in the right way,
instead language became
more brutish: blink twice
for the bird, blink once
for tender annihilation. Who
knows what we are doing as
we go about our days lazily
choosing our languages. Some
days my life is held together
by definitions, some days
I read the word swallow
and all my feathers show.
The quiet machine
Ada Limón
I’m learning so many different ways to be quiet. There’s how I stand in the lawn, that’s one way. There’s also how I stand in the field across from the street, that’s another way because I’m farther from people and therefore more likely to be alone. There’s how I don’t answer the phone, and how I sometimes like to lie down on the floor in the kitchen and pretend I’m not home when people knock. There’s daytime silent when I stare, and a nighttime silent when I do things. There’s shower silent and bath silent and California silent and Kentucky silent and car silent and then there’s the silence that comes back, a million times bigger than me, sneaks into my bones and wails and wails and wails until I can’t be quiet anymore. That’s how this machine works.
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