I sorrow for silence
- Natalie Diaz
When Walt Whitman wrote, The half-breed straps on his light boots to compete in the race, he really meant that all Indian men over age 40 have a pair of vintage Air Jordans in their closets and believe they are still magic-enough to make even the largest commod bod able to go coast to coast and finish a layup.

- Natalie Diaz
I am begging: Let me be lonely but not invisible.
- Natalie Diaz
Let me call my anxiety, desire, then.
Let me call it, a garden.

Natalie Diaz
These Hands, If Not Gods
Natalie Diaz

Haven’t they moved like rivers—
like glory, like light—
over the seven days of your body?

And wasn’t that good?
Them at your hips—

isn’t this what God felt when he pressed together
the first Beloved: Everything.
Fever. Vapor. Atman. Pulsus.
Finally, a sin worth hurting for, a fervor,
a sweet—You are mine.

It is hard not to have faith in this:
from the blue-brown clay of night
these two potters crushed and smoothed you
into being—grind, then curve—built your form up—

atlas of bone, fields of muscle,
one breast a fig tree, the other a nightingale,
both morning and evening.

O, the beautiful making they do,
of trigger and carve, suffering and stars.

Aren’t they, too, the carpenters
of your small church? Have they not burned
on the altar of your belly, eaten the bread
of your thighs, broke you to wine, to ichor,
to nectareous feast?

Haven’t they riveted your wrists, haven’t they
had you at your knees?

And when these hands touched your throat,
showed you how to take the apple and the rib,
how to slip a thumb into your mouth and taste it all,
didn’t you sing out their ninety-nine names—

Zahir, Aleph, hands-times-seven,
Sphinx, Leonids, locomotura,
Rubidium, August, and September—
and when you cried out, O, Prometheans,
didn’t they bring fire?

These hands, if not gods, then why
when you have come to me, and I have returned you
to that from which you came—white mud, mica, mineral, salt—
why then do you whisper, O, my Hecatonchire. My Centimani.
My Hndred-Handed One?
a siren whining high toward town repeating 
that the emergency is not here

- ada limón
I’m here waiting for something to happen to me.
- Ada Limón
I’ve been leaving be because why not?
Ada Limón 
begging for love from the speeding passage of time
ada limón
A name
Ada Limón 

When Eve walked among
the animals and named them—
nightingale, red-shouldered hawk,
fiddler rab, fallow deer—
I wonder if she ever wanted
them to speak back, looked into
their wide wonderful eyes and
whispered, Name me, name me.
JOHN
I'm just trying to figure out if I can trust him.

ZOE
If you have to ask the question, then you already know the answer.

Laterns, S01E02
To the One Who is Reading Me
Jorge Luis Borges

You are invulnerable. Didn’t they deliver
(those forces that control your destiny)
the certainty of dust? Couldn’t it be
your irreversible time is that river
in whose bright mirror Heraclitus read
his brevity? A marble slab is saved
for you, one you won’t read, already graved
with city, epitaph, dates of the dead.
And other men are also dreams of time,
not hardened bronze, purified gold. They’re dust
like you; the universe is Proteus.
Shadow, you’ll travel to what waits ahead,
the fatal shadow waiting at the rim.
Know this: in some way you’re already dead.
everyone can face a crisis
but not everyone can make it home

comecei a me sentir em casa
tá gostoso aqui no fundo do poço

Heraclitus on Vacation
Billy Collins

It is possible to stick your foot
into the same swimming pool twice,

dive, or even cannonball
into the deep or shallow end

as many times as you like
depending on how much you had to drink.